FREE STYLE
Idiosyncratic/Eclecticism
Curated by Brett DePalma
March 8 - April 20, 2025
Main Gallery at Building 35
“Puddle Stomper,” by Brett DePalma
Gallery Hours:
Fridays: 2-5pm
Saturdays & Sundays: 1-5pm
OPEN Easter Sunday, April 20th
A non-hierarchical style in which there is no superior form over another and the coexistence of expression is not only allowed but promoted. This is to avoid the commodification of extraction of attention, giving the viewer a sense confusion leading to boredom…A variety of examples for attention are there to combat such a malaise of creative curiosity.
You’ve got to love an exhibition title that aptly captures art’s status as the ultimate arena of expressive freedom — such as FREE STYLE: Idiosyncratic/Eclecticism...
- Taliesin Thomas, Hyperalleric
COMING UP
FRANC PALAIA
URBAN ARCHAEOLOGY
A 20-Year Survey Solo Exhibition of Multi-Disciplinary Art
Opening Reception:
Sunday, May 4, 3-5PM
May 3 - June 15, 2025
Main Gallery at Building 35
Franc Palaia with Ti Amo Sam, side B, 2022, mixed media
Gallery Hours:
Fridays: 2-5pm
Saturdays & Sundays: 1-5pm
Franc Palaia’s Urban Archaeology is an expansive exhibition that transforms the cavernous Building 35 Main Gallery at GARNER Arts Center into an archaeological site. Mr. Palaia is a master of visual deception. His mixed media paintings, frescoes, photographs, and sculptures look like they have been unearthed from abandoned underground urban landfills of the future. Upon entering the space, the viewer is amazed at how the massive archeological fragments appear to be broken life-sized concrete walls, crumbling rubble, and pigmented fragments of modern-day cement structures, despite not being what they seem.
Edward M. O’Hara
Echoes of Grass
New Works on Paper
Opening Reception:
Sunday, May 4th, 2025, 3-5pm
Echoes of Grass 16, Edward O’Hara
May 3 - June 15, 2025
Ned Harris Gallery at Building 35
Gallery Hours:
Fridays: 2-5pm
Saturdays & Sundays: 1-5pm
GARNER Arts Center is pleased to present this new series by abstract painter, Edward M. O’Hara for a solo exhibition in its Ned Harris Gallery at Building 35. By using the earth as his brush, O’Hara’s new series breaks free from studio restraints while capturing the beauty, motion and ephemeral fragility of nature. The artist creates these works in the fields of his farm in Highland NY. After applying paint directly to the wind-blown grasses, he repeatedly presses paper with his hands and feet onto the grassy surfaces. When the paper is peeled away, bold, energetic, fractal patterns are revealed, patterns that are mirrored throughout nature - in ocean waves, sand dunes, and wispy clouds. For O’Hara, the process feels raw, intimate, honest and connects him to the universe in ways he never anticipated.